Koi Kingdom live-to-air, recorded using the Sennheiser MKH’s 30/40 (Mid-Side) and an AKG 414 (Figure 8 ).
The Flinders Quartet (@flindersquartet) 2018 live stream is available on youtube: https://youtu.be/AAIErE9jPPo [starts at around the 8 minutes mark].
Live recorded using Warm Audio WA-12 as a spaced stereo pair and a Lewitt LCT-640 on cello.
Also mixed and mastered by APGMproductions.
#flindersquartet #apgmproductions #libraryatthedock #melbourne #classical #finemusic #livestream #liverecording #soundwoman #soundengineer #mixengineer #masteringengineer #warmaudio #lewittaudio #zoomf8 #protools #universalaudio #dangerouseq #sonnox #fabfilter #viola #violin #cello
Sound samples recorded by myself at Melbourne Airport, St. Kilda Beach, Esplanade Avenue and Croxton Train Station.
Mixed on Avid Pro Tools 11.
Acoustic Guitar (Mini Maton) + Soundtoys Effects Rack
Arturia Software Synths (Matrix-12, Solina, SEM…)
Beats (Ableton Push II / Ableton Live 9 / V Collection 6)
Universal Audio UAD Plugins
FabFilter Mastering Bundle
iZotope Ozone Advanced 7
Soundtoys 5 Bundle
Satu Vanska (Violinist, Australian Chamber Orchestra), performing JS Bach – Violin Sonata #2 in A minor, on a Stradivarius violin (300 years old).
Live recording, mixing and mastering ‘In Close Proximity presents Valencia’ concert, performing Black Milk by Massive Attack (arr. Allison Wright), at Long Play Fitzroy.
Location sound for “Calling” web series, starring actress Debra Lawrance.
Tracks 2, 3, 7, 8, 10 recorded and mixed by Ana Paula Gargantini (APGMproductions)
Mastered by Joseph Carra (Crystal Mastering).
2. Flute No More
3. Quiet Now
7. Even Steven
Sound Recordist / Boom operator for “Unlit” feature at locations between Lorne and Cape Otway.
Audio Gear: Sennheiser MKH416 shotgun mic, Zoom F4, Røde boom pole and two Sennheiser EW-122 G3 lavalier wireless mic.
I had fun doing the live-to-air on 3MBS Fine Music Radio (103.5FM), with Madi Chwasta (percussion), Liam Wooding (piano), David Moran (cello) and Mana Ohashi (violin).
For this live-to-air, I used both the Sennheiser MKH-30 and MKH-40 microphone as mid side to record the percussion, a Gefell UMT 70 S on the cello, an AKG414 for the violin and a DPA stereo pair on the piano.
Hoang Pham (solo piano) performing Lizst – Consolation Op. 3 in D minor.
DPA stereo pair closed mic on the piano.
For this live recording, I used a Neumann KM184 stereo pair closed mic on the piano and a WA-87 as a room mic.
The Talent Winners Recital at Kew Court House.
For this live recording, I used a pair of Neumann KM184 as outriggers and a DPA 4099P stereo mic on the piano and another DPA 4099C clipped on the cello.
Post mixing and mastering for broadcast on 3MBS Radio in February 2018, by Ana Paula Gargantini (APGMproductions).
Live recording, post mixing and mastering Daphnis Duo – Belinda Liew (cello) & Chris Nankervis (piano), performing Beethoven and Rachmaninoff at the CAN (Carlton).
This live recording is due to broadcast on 3MBS Fine Music Radio (103.5FM) in February, 2018.
Audio gear: a Neumann KM184 stereo pair on the piano and a WA-12 mic on the cello, using a Zoom F8 to capture the sound.
Molly Collier-O’Boyle (viola) and Liam Wooding (piano), performing the first movement of Brahms Sonata in Eb, Op. 120.
Sennheiser MKH-30 and MKH-40 (mid side technique) to capture the viola and a DPA stereo pair closed mic on the piano.
I was the assistant sound engineer for Steve Bullock on the Herald Sun Aria Final at Hamer Hall.
We used six schoeps pencil condenser microphones hanging from the rooftop in omni pattern and two sennheiser plates mics on the floor to capture the live recording for 3MBS Fine Music Radio.
Live sound engineer for Chicken Wishbone Launch LP gig at Boney on 30 September 2017, Melbourne VIC.
A preview of “Songs of the Night” by Melbourne Chamber Orchestra (MCO) at Deakin Edge, Melbourne VIC.
Recorded and mixed by APGMproductions for broadcast on 3MBS Radio.
1/2 Recording and Mix Engineer for Chicken Wishbone’s 10-tracks ‘Friemds’ LP, due to release in August, 2017.
Recording and Mix Engineer – Ana Gargantini (tracks 2, 3, 7, 9 and 10)
2. Flute No More
3. Quiet Now
7. Even Steven
Spencer Hughes (Keyboards/Piano/Composer); Jack Eden (Bass); Owen James Miller (Trumpet); Tony Barnao (Tenor Saxophone); Flynn Sky-McCormick (Guitar); James Latham (Synthesizers/Vocal FX/Samples); Julia Bebenek (Drums); Brenna Edsell (Singer); Pascal ‘Dekah’ Ducasse (Rapper) and Josh ‘Zetes’ Zito (Rapper).
I had a great experience as an assistant sound engineer for Lilith Lane (producer/engineer/singer-songwriter) recording “Cash” debut LP.
DiGiCo desk at 170 Russell live performance venue, Melbourne, VIC.